Our inputs were buzzing (20 Octobre 2011)

20 10 2011

But was it really our inputs? Or was it something else? Sometimes it’s so hard to tell.  You turn the channel fader down and it doesn’t stop, then you pull out the input cable and abracadabra, no more buzz. What the shit? That probably means there’s a ground loop occuring in the sheilding of the input cable, so even if you turn down the channel fader it doesn’t stop. You have to lift the ground.

But before we discuss ground loops, we should acknowledge that there are many reasons why a system might buzzzzzz.  A few days ago someone mentioned that all the inputs on our mixer were buzzing.  But then I took it to the shop and actually only Channel 1 was buzzing.  In other words,  it probably wasn’t the mixer itself that was buzzing.

The first thing to check is your “gain structure.”   For the record: all audio electronics buzzes and makes noise. The trick is to make it buzz as little as possible.  Crappy quality machines tend to buzz more than the big money stuff (but not always: the AKG The Tube is a $2000 microphone  that’s noisy as hell and still manages to sound like gold, and a lot of inexpensive stuff can sound very good).

But there are ways to make things buzz less depending on how you set the levels and how you hook things up.  It’s possible in the above situation that the ‘trim’ knobs on the channels were not set high enough, meaning you would have had to crank either the channel faders (on our mixer for some reason labeled ‘gain’) or the master volume, or both, amplifying all the noise in the entire circuit.  But if you set your ‘gain structure right,’ on the other hand, you get a better signal to noise ratio.  To do this, set your channel fader to zero dB, then talk into a mic until it’s as loud as it can be without distorting or feeding back.

Another possibility is that something else in the signal chain was buzzing, most likely one of our powered speakers or two, or maybe even a faulty cable picking up interference.

Another possible cause is the elusive phenomenon we call ground loops, induction etc.  This means that it wasn’t necessarily a piece of equipment itself that was buzzing, but rather, there’s noise on the ground path (i.e., the third pin on the AC power cable.

When you have more than one path to ground (or no real path to ground as is kinda the case when we use the inverter), then stuff, especially chassis and ‘ground planes’ (but also signal conductors – hence the reason we ‘balance’ circuits) tend to pick up electromagnetic ‘noise’ from the air or from the ground itself.  This changes the voltage level of our ‘ground’ or reference point and makes everything sound all garbagey.

The best way to avoid this is to  make sure everything`s plugged into the same source, and that this source is well-grounded. If something still buzzes, try ground-lifting it or other units in various combinations (if there`s no ground-lift switch you can buy special adaptors that bypass the earth-ground pin… or you can rip it off, but that`s sketchy). Sometimes people even disconnect the grounded sheilding on a signal cable (xlr, etc), if the noise is being induced there.

Ground lift as little as possible because it’s slightly unsafe.  Never lift the ground on a mixer cause then people using the mic could get a little shock.

If none of this works, one of your machines might just be naturally buzzy.  Use process of elimination!

Also for some reason all the nuts on the 1/4in jacks on our mixer were loose.  if they`re not tight the chassis and sleeve of the jack itself may not be properly grounded, allowing it to pick up interference, induction, 60hz hum.  like an antenna.





21 MAI/MAY 21: ATELIER AU SALON DU LIVRE ANARCHISTE/WORKSHOP AT THE ANARCHIST BOOKFAIR

14 05 2011

Une partie de la SALLE DES MÉDIAS ET TECHNOLOGIES AUTONOMES / Part of the AUTONOMOUS MEDIA AND TECHNOLOGY ROOM

10h00 – 11h30

Comment construire un système de son!

La sonorisation c’est super le fun et une capacité hyper utile à maitriser, mais c’est aussi important que plus du monde dans nos communautés puisse être en mesure d’accomplire cette tâche trops souvent négligé. Jusqu’ici, seulement quelques individus dans les milieux militants ont fait cette tâche pour des manifs et autres évenements. Mais quoi faire quand ces personnes ne sont plus disponibles ou sont surchargés? Partageons la connaisance! Joignez-vous à l’Équipe Sonore pour cet atelier …

***

How to build a sound system!

Besides the fact that setting up live sound is an amazing, fun and powerful skill to have, it’s also important that more people in the activist community have this knowledge. For years, a small handful of people have been setting up sound for demos, rallies and fundraisers. But what happens when those people leave town or burn out? Let’s spread the knowledge! Join Soundteam for a hands-on workshop on rad sound reinforcement.

12 e Salon du livre anarchiste de Montréal CEDA — 2515 rue Delisle — (Métro Lionel-Groulx), salle #125 (accessible en fauteuil roulant)

Montreal’s 12th annual anarchist bookfair CEDA — 2515 Delisle street — (Métro Lionel-Groulx), room #125 (wheelchair accessible)

http://www.salonanarchiste.ca / http://www.anarchistbookfair.ca





Nov. 12 – Joignez-nous/Join us! :: Manif Anticapitaliste: Résistons au G20! – Anticapitalist Demo: Resist the G20!

7 11 2010

Join Soundteam and help with sound: Anticapitalist demo against the G20

Want to learn about sound tech at demos? Soundteam will be building and running a mobile sound system for the anticapitalist demo against the G20 on November 12. Anyone interested is welcome to join us. No prior sound tech experience is required – hands-on learning and skillsharing are encouraged. Please email equipesonore@riseup.net in advance so that we can coordinate meeting at the events.

Joignez-vous à Équipe Sonore et aider avec la sonorisation: Manif anticapitaliste contre le G20

Vous voulez savoir plus de la sonorisation lors des manifestations? Équipe Sonore va construire et opérer un système de son mobile pour le manif anticapitaliste contre le G20 le 12 novembre. Tout le monde peut y participer. Aucune expérience n’est requise – il s’agit de l’apprentissage et skillsharing. S’il vous plaît nous envoyer un courriel à equipesonore@riseup.net afin qu’on puisse planifier un rendez-vous.

http://www.facebook.com/home.php?#!/event.php?eid=170369189643954&index=1
http://equipesonore.wordpress.com





Oct. 22/23 – Joignez-nous/Join us! :: Justice Pour les Victimes de Bavures Policières – Justice for the Victims of Police Killings

12 10 2010

Join Soundteam and help with sound: Justice for the Victims of Police Killings

Want to learn about sound tech at demos? Soundteam will be building and running a mobile sound system for the two events organized under the name Justice for Victims of Police Killings: the vigil on October 22 and the commemorative march on October 23. Anyone interested is welcome to join us. No prior sound tech experience is required – hands-on learning and skillsharing are encouraged. Please email equipesonore@riseup.net in advance so that we can coordinate meeting at the events.

Joignez-vous à Équipe Sonore et aider avec la sonorisation: Justice Pour les Victimes de Bavures Policières

Vous voulez savoir plus de la sonorisation lors des manifestations? Équipe Sonore va construire et opérer un système de son mobile pour les deux événements sous le nom Justice Pour les Victimes de Bavures Policières: le vigile le 22 octobre et la marche commémorative le 23 octobre. Tout le monde peut y participer. Aucune expérience n’est requise – il s’agit de l’apprentissage et skillsharing. S’il vous plaît nous envoyer un courriel à equipesonore@riseup.net afin qu’on puisse planifier un rendez-vous.

http://22octobre.wordpress.com/





Sept. 25-26 – Got Your Back: Building Radical Support into our Movements

29 08 2010

Soundteam will be helping out with this event:

Got Your Back: Building Radical Support into our Movements
Sept. 25-26
7th floor of the Hall Building at Concordia, 1414 Maisonneuve Ouest

The forum will be a weekend series of panels, workshops, and strategizing sessions geared towards strengthening a culture of support in our communities. It will be a place to reflect on the formal and informal support structures that already exist in our community, as well as consider new structures that could be put in place.





Aug. 12 – Criminal Queers Backyard Films + Performances (Ste-Emilie Skillshare)

8 08 2010

Soundteam will be helping out with sound at this event:

Criminal Queers Backyard Films + Performances – Aug 12 “Yapping Out Loud” with Mirha Soleil-Ross, Sarah Bernard, +

at Ste. Emilie Skillshare
3942 rue Ste. Emilie

Nope, it didn’t start in Oakland. A backyard film series honouring our favorite criminal or criminalized queers. Films are preceded by some nice live musical performances (performers are not necessarily criminalized, they’re just nice people who play music)

As part of Pervers/cité:

August 12th, 2010 – 7-11pm
Performers: Sarah Bernard, + TBC
In Attendance: Mirha-Soleil Ross
Film: Yapping Out Loud by Mirha-Soleil Ross (2004)

Film Description: A video documentary based on first-person Toronto performance show (7 monologues) dealing with prostitution and anti-prostitution. A tour de force by Canada’s most famous transsexual sexworker animal-rights activist performance artist, Yapping is hilarious and moving –half autobiographical, half agitprop satire, fully unforgettable.

Sarah Bernard is a young girl from Haiti who has momentarily settled in Montreal. She writes songs and book(s) in English, French, and Creole for piano, guitar, and voice. (Someday, Spanish and Italian– someday.) She’s a DJ who lives on and for dance-floors, but when Sarah sings, you can find soft traces of traditional Haitian folklore, little girl blues, traces of growing up on a piano and moving across the continent. They haven’t invented a name for her genre yet.
http://www.youtube.com/watch?v=Ff0YISSyDXU&feature=player_embedded





Aug. 10 – Prisoner Justice Day Noise Demo

6 08 2010

The Soundteam PA will be in use at this event:

http://www.facebook.com/event.php?eid=147341078616469&ref=ts

(English below)

Le 10 août 2010 est la Journée de Justice pour les PrisonnierEs, et elle est souvent marquée a l’intérier des prisons par des grèves de faim d’un jour et d’un refus du travail. La première Journée de Justice pour les PrisonnierEs fut déclarée en 1976 par les prisonnierEs à la prison Millhaven Max. en Ontario après que deux de leurs camarades perdirent la vie dans le quartier d’isolement. Avec cette manif, on veut continuer la tradition de confrontation face à la brutalité des services correctionnels et toute la réalité du monde qui les requiert – en allant des tribunaux, la police et les technologies de surveillance, jusqu’aux murs des prisons et des centres de rétention. Pour un instant, on veut amincir ces murs et briser l’isolement et la séparation sur laquelle dépend la prison.

La manif va visiter le Centre de Prévention de l’Immigration et deux prisons fédérales à Laval. Apportez de quoi faire du bruit (et de l’attitude).

Point de départ: métro Sherbrooke
9h30 pile!

::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::

August 10th, 2010 is Prisoner Justice Day, and is often marked inside prisons with one day hunger strikes and work refusals. The first Prisoner Justice Day, in 1976 was called by prisoners at MillhavenMax. in Ontario after two of their fellow prisoners died in solitary con?nement. Through this demo, we want to continue the tradition of confronting the brutality of correctional services, and the whole reality of prisons and the world that needs them—from the courts, policing, and surveillance technologies, to the walls of the prisons and detention centres. For a few moments, we want to make those walls a little thinner, and to break the isolation and separation on which prisons rely.

The demo will be visiting the Immigration Detention Centre and two federal prisons in Laval.

Bring noisemakers (and some attitude).

Departing (together) from Sherbrooke metro
9: 30 am sharp!








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